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States are not to be confused with traits such as schizophrenia. The problem arises if utilizing images of the deceased. Western medical practice destigmatized recognition of past lives as part of the broad spectrum of the personality matrix, self-recognition, reincarnation. Washington criminal code 9.58.010 against libel and defamation of the historical memory of a deceased U.S. figure in the living person (Stein, 2002) effectively protects the memory of the deceased U.S. citizen. 'Every malicious publication by writing, printing, picture, effigy, sign[,] radio broadcasting or which shall in any other manner transmit the human voice or reproduce the same from records or other appliances or means' to harass the deceased or living person to character injury or insult is libel.
International academic research credentials at ORCID
nata a Pisa, Italia, registrata a Gigliola Addini (Cittadina Italiana). Nel 2002-2003 inizio' un progetto al livello di Dottorato, NIH, in Ucraina contro il antisemitismo e femminicidio delle Slave
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Programme of V. International Conference (page 16 of conference book pamphlet issued in Partenit, Crimea) Cognitive Styles of Communication: Theories & applications. Bogdanovich, G., Dikareva, S., & Skrebtsova, T. (Eds.). Simferopol, (Russia): V. I. Vernadsky University Press.
2004 Cognitive Communication Styles
Born in Italy without the biological father present nor registered as married to my Italian Mother thus retro-actively every right to dual-citizenship since 1963 without having to recognize his other biological children
Italy
ARTICLE UNDER CONSTRUCTION
PERSONALTY MATRIXES AND PSYCHOPHYSIOLOGICAL INDICATORS IN COMMUNICATION
Keywords: baptism, camera obscura, eschatology, Etruscan, Italy, Kirlian, photography, psychophore, reincarnation, Ian Stevenson, time dialation, water boarding
Taking on the perspective, through a time dialation immersion, of past cultures that occupied the Italian peninsula prior to the foundation of Rome, makes us ponder "... what kinds of worlds are made possible by such points of view" (Taddei & Gamboggi, 2015, p. 7).
Ansedonia provides a natural Kirlian lighting sea-cave setting to test Ian Stevenson, MD’s methodology post-mortem forensic identification of Cases of Reincarnation Type (CORT).
Why participate in bloody torture that builds up resentment and fails to reveal deep underlying motivational factors when interrogating a subject! There is a better way to understand the subject better than they can reveal to us, because they repress their pre-conscious mind due to social conditioning. Interrogations should be about accurate knowledge: the results should form a pattern of empirical knowledge for prediction and a deeper understanding not just of behaviours, we need to know what is the subject's ambition. We need to know if the subject is correct or not in desiring their ambition, before we decide if they are a bad person or not. If a person doesn't want a heterosexual relationship are we correct to stigmatize and CRIMINALIZE their behaviours, or are we in the wrong in going against their nature.
According to Ian Stevenson, MD past life post-mortem trauma is at the root of our present ailments. If we follow a holistic path we don't need medical insurance, just cash to preventively vacation to pre-emptively protect our health. Why pay a US dentist when a vacation in Crimea pays a UN trained dentist to fix my teeth, or a vacation in India pays for a surgery from a high caste surgeon rather than an American surgeon under Obama care. Likewise we discover our past life ailments so justice and insurance agencies cannot use our past lives to harm us. If your past life suffered a decapitation, for example, you'll suffer some related discomfort at the level of shoulder mobility and aches, headaches, etc. with no medical diagnosis to explain it. Thus you take care to protect your neck, and perform exercises/physical therapies to make certain you stimulate for several days your extremities and re-energize your psyche's aura. Increasing the movement of your bodily fluids revitalizes the spirit so you feel whole again.
Highlights
Itinerary
BEGIN WITH TACTILE DESCRIPTION OF THE CAVE, THE PRE-HISTORIC HUMAN SACRIFICE AIR AT SPACCO DELLA REGINA AND ARA DELLA REGINA JUST UNDER IL VINICIO RESTAURANT
PHARAONIC CATECOMBES
THEN DESCRIBE FACILITIES
CAR RENTAL STRATEGIES TO AVOID SEX-TOURISM MAFIA AGENCIES LIKE "EUROCAR" THAT RUN "AUTO-RENTALS"
TARQUINIA'S CAMPING TUSCIA NEAR ARA DELLA REGINA, W/ NATURAL PUBLIC AND PRIVATE BEACHES, RESTAURANT/BAR/BIG SWIMMING POOL - THE OWNER'S SON IS VICE-MAYOR
ANSEDONIA'S PENSIONE VINICIO W/ RESTAURANT - THEIR BAR SERVES AS COURT & JUSTICE OVER SPACCO DELLA REGINA
MAGLIANA SABINA'S LA PERGOLA STEAK-HOUSE HOTEL/SWIMMING POOL/TENNIS CLUB AT CIVITA CASTELLANA - QUICKLY ACCESSIBLE W/ FIUMICINO AIRPORT'S EXPRESS TRAIN AND THROUGH AUTOSTRADA/SUPER-HIGHWAY W/ BODYGUARD-CHAUFFEUR ROBERTO SEBASTIANI'S FLEET THAT SERVED UNDER GEORGE BUSH - EASY COVERED PARKING AT TWO NEAR-BY PRIVATE GARAGES THAT WORK WITH THE MILITARY POLICE (CARABINIERI SERVE MILITARY, ROYAL, PAPAL, AND GOVERNMENTAL SECURITY PLANNING AND IMPLEMENTATION)
SPECIAL MILITARY POLICE AND POLICE PROTECTION SERVICES AVAILABLE THROUGH advice of RETIRED MARSHALL MARCO FIORANI OWNER OF TANA DEI LUPI PATROL, SEARCH AND RESCUE CANINE TRAINING, AND BED AND BREAKFAST
PORTO SANTO STEFANO, PORTO ERCOLE AND ANSEDONIA OFFER YACHTING-KITESURF-SCUBA
TARQUINIA OFFERS HORSE RIDING-TENNIS-SNORKELLING-AMATEUR ARCHEOLOGY WITH HELP FROM MAYOR'S OFFICE
BLOCKING OUT MODERN PROPAGANDA - ETRUSCAN HISTORICAL CONTEXT RECREATING THE PAST IN THE TOURIST’S SOJOURN
ABSTRACT
Early cave art is a result of seeing the Kirlian effect of a living entity’s energy patterns on a cave wall through a natural prehistoric camera obscura? Could the basis of sacred artists like Michelangelo and the ceiling painting of the Last Judgment iconicizing sacred persons, trees and animals which are perpetuated today through cultural museums and religious cults (Stein, 2002) also, as Hockney (2006) suggests, be a result of seeing the Kirlian effect of a living entity’s energy patterns on a cave wall through a natural prehistoric camera obscura? (Hockney, 2006). Maybe. I propose the best is to see the reflection through a skylight cave opening reflected on the underwater rocks in a cave that acts as a prehistoric camera obsura. The results against the stone surface, and at the level of the water are like that of a special effect in Hollywood blockbuster movies. Yet movies images are fiction with the image altered after the photograph is made; this is real at the moment of the shutter opening without alteration, as the f/64 school of photography practices (cite f/64 philosophy). Authentic untouched photographs, as in ethical photojournalism, are precise measures and are not subjective measures (Limburg, 1994), although the actual experience at the moment is subjective for the photographer. In mathematics reincarnation is a subject of fifth dimensional space uniting all known dimensions through a central magnetic force, known in philosophy as Aristotle’s prime mover (Wesson, 2006 & Gaarder, 1991). Five and seven dimensional space occur frequently and are legitimate mathematical and observable astronomical constructs (Wesson, 2006).
This f/64 photograph (A) is made with the photo camera held in my right hand about three inches below the water in an cave in Ansedonia, Italy with lighting only streaming in from an overhead opening directly above me. This is the same view a victim of waterboarding has of their interrogator while being held just under the surface of the water.
Silvia Stein, researcher, photographer and author, autobiographical still photograph made in a prehistoric time dialation sea cave in Italy, August, 2013.
METHODOLOGY
Within the proper time dialation situation it is possible to photograph, while holding the photocamera perfectly still, this slower rate of light energy myopics perceive revealing our many parallel worlds co-existence resulting in an intrapersonal quantum decohesion state, as illustrated above; in the spliting of one world into two possible or more co-existing worlds (parallel universes) (Guba & Lincoln, 1985, Kurzweil, 2000, & Zelazo, et al, 2007).
Like some persons resist being socialized away from using their left hand, some persons have not been socialized to repress their natural ability to see movement or to change their lenses and remain myopics seeing parallel forms from a distance and very well up close, like a microscope.
Memory seems to be particularly holographic in form (Pribram, 2007), and emotional memory based on patterned reactions and evolving narratives (Goffman, 1959 & McGee, 1999), or scripts, to similar situations (Rothschild, 2000, Searle, 1984, & Stevenson, 1997, p. 2077). A biological based explanation of this cognitive process is explained by Karl Pribram as holonomic brain theory which through visualization processses (Ayers & Hopf, 1988) produces emergent solutions from previously dialectical, oppositional, narratives or perspectives (Freeman, 2007 & Pribram, 2007) resulting in a higher consciousness as proposed by Penrose in the decoherence from decohesion conjecture (Kurzweil, 2000) obtained through cognitive dissonance (Harris, 2009, Lang, 2009, & O'Keefe, 2009) and re-alignment (Goffman, 1974) thus validating that there are two complementary cognitive processes, materialist and cognitivist, which pragmatically are seen functioning at their best when combining both approaches (Freeman, 2007). The first is data-driven thus quantitative in nature with short term value orientation and objectives and operates in a seemingly dialectical context, thus it is materialist in the form of data processing (Guba & Lincoln, 1985) objectifying what it sees. The second is holistic and qualitative in nature (Guba & Lincoln, 1985) requiring sight specific seeing of movement, and seeing subjects as transitioning action (Costandi, 2014). Naturally allowing the mind to process the quantum energy movement in the physical environment, as documented scientifically through Kirlian photography, requires exposure to fast movements so that the cognitive style is relaxed when processing movement, especially under poor lighting, in a seemingly still subject like in playing raquetball (Costandi, 2014). In this context the fear of "ghosts", or Kirlian sightings, is like seeing a raquetball bouncing off a wall and right at you. One hand movement can pause and reverse the motion of energy, or you could be overwhelmed with anxiety like a deer about to be hit by a car, stunned by the headlights. Thus energy is seen (Stevenson, 1997 & Wolffram, 2009) and the keen observer naturally operates at the level of longterm evolving values, having a different more effeminate cognitive style (Abdulaeva, Danilova, & Papelina, 2004) in the form of exhausting the diachronic and synchronic context (Bem, 1993, Guba & Lincoln, 1985) and symbol gathering (Langer, 1957, 1953a, & 1953b) in processing information (Freeman, 2007).
The ambiguous quantum wave-particle nature of light (Peruzzo, 2013) in a prehistoric camera obscura facilitates a real Kirlian photograph documenting energy and gaseous water vapor fields altering with the human subject’s mental state in a waterboarding near-death experiment in Ansedonia, Italy (Haraldsson, 2006, Hockney, 2006, Nahm, 2011 Peruzzo, 2012, and Tiller, 1990). A Kirlian emerald green light wave spectrum resulting from a natural skylight opening in a sea cave that acts as a prehistoric camera obscura in Ansedonia, Italy provides a buoyant throne from which we can photograph human aura and vapor documenting the change in mental states by the change in the Kirlian image (Tiller, 1990).
Tools measuring quantum phenomena, even if in the early stages of development, have not been fully used to explain human quantum phenomena such as the psychophore. We can accurately illustrate it as in a time dilation photograph (C) if we enter a different gravitational zone as stated in Einstein‘s theory of relativity.
As with Darwin, biological observations precede and spur the development of good scientific tools producing measurements, valid interdisciplinary interpretations, and their applications (Wojtyla, et al, 2002).
Introduction: Camera obscura in prehistory and Renaissance and the Kirlian effect
David Hockney
Ian Stevenson, MD, took an ethno-photographic triangulated approach (Lincoln & Guba) in documenting suspected cases of reincarnation which he coined as “children” (cite Stepchildren book and use of reincarnation in European court testimonies & Stevenson, 1997). Triangulation in research means that there are at least three levels of evaluating a topic to have the geometrically most stable theoretical basis for verifying emergent phenomena and to establish a predictable pattern for further scientific research and developing improved tools for quantitative evaluations (Lincoln & Guba).
In this case, Stevenson utilized personal reports from the “child” regarding unsolicited past lifetime memories, accounts of relatives and acquaintances of the deceased and the “child”, and quantifiable measurements in the form of photographs of the deceased, the subject and relevant inter-actions in their cultural contexts (Stevenson, 1997).
Rather than “child”, which re-enforces religious bias that a person remains a “child” until they deny reincarnation and previous life memories, I prefer the empirically sound term “case of reincarnation type”, or CORT (Nahm, 2011). CORT removes stigma and bias in this scientific inquiry. Children cannot always be in authority to speak and act for themselves. An adult CORT is an authority, speaking and acting in its own behalf and in behalf of others.
Stevenson often immersed himself into the cultural context of the deceased and the CORT to study physical and cultural similarities and dissimilarities between the deceased and the CORT, while evaluating the validity of the families’, witnesses’, and CORT’s testimony (Stevenson, 1997).
Photographing the CORT and comparing their cultural/family context and physical as well as character traits with the deceased helped provide materially obvious visual communication evidence. Photography, like a telescope with a photomechanical recording of distant planets, mechanically provides an undeniably physically established and measureable fact on print (cite Bergson and cinema not being art & article on the materiality of communication) corroborating what many northern European, Asian, African and pre-Christian cultures do not doubt: there is reincarnation (cite article on Northern Europeans and reincarnation). The photographed subject, in Kirlian photographic techniques, can alter the gas discharge and aura according to their mental state (Tiller, 1990).
Fifth dimension phenomena such as reincarnation is not easily explained unless we take the Copenhagen quantum approach photographing through Kirlian techniques cases of reincarnation. The Copenhagen approach, particularly as interpreted by Neils Bohr, maintains that what is visible is real, measureable, and comparable (Stapp, 2007). The exclusion to this premise is if one alters a photograph or utilizes special effects in documenting and presenting an image. According to the former, photography is a viable tool for preserving observable phenomena (Stevenson, 1997).
Medical reincarnation cases are identified and tested based on medical records and photographs containing a psychophore (form) frozen in time; a surviving historical artifact with quantum potential once made iconic (stored in collective memory). After understanding what to look for, as will be presented in the case of Tom, the psychophore is recognizable. Recognizing the psychophore (a quantum bridge to one's past) becomes a key to the past (Stevenson, 1997 & 2003). Frame analysis is the medical method of choice the past sixty years for effective identification and presentation of reincarnation cases (Stevenson, 1997).
Among cases suggestive of reincarnation, Stevenson omitted publishing sightings of victims of NAZI'ism, or of deceased United States Americans, particularly those Missing in Action (MIA´s) during World War II, Korean War, Vietnam war, Cambodian war and the first war in Iraq.
Useful observations from Stevenson's work (Stevenson, 1997 & 2003) are:Stevenson's post-mortem cases identify altered reincarnated gender identity; Stevenson provides a detailed definition of the afore mentioned psychophore;Stevenson provides us with the means of measuring and evaluating authentic reincarnation cases through salient features, movements, communication/interpersonal patterns (rhetorical and interaction styles), and self-analysis/intrapersonal style.
Historical Basis of Reincarnation in Biblical Citations Revelations IV 1-3: “After these things I looked, and behold, a door standing open in heaven.” Photograph (B)

“And the first voice which I heard was like a trumpet speaking with me, saying, ‘Come up here, and I will show you things which must take place after this.’2 Immediately I was in the Spirit; and behold, a throne set in heaven, and One sat on the throne. 3 And He who sat there was<""""><>[a] like a jasper and a sardius stone in appearance;” Photograph (C). Photograph (C) was taken at the same lens setting as the other photographs, yet the camera records the scene as the naked eye sees the scene of human flesh and solid stone cave walls while in the intense light of the sea cave. You see energetic forms, waves of light, or aura with an electrical quality bouncing off and surrounding your flesh and the cave walls as well as through the water surface, and shades, not detail, like a myopic without corrective lenses. You think you are hallucinating until you review your own still photographs. Subjective impressions and objective measures agree with each other, verifying what happened.
The light wave quantum energy entity is not viewable with normal vision. Perhaps myopics like the author Silvia Stein, or Ian Stevenson, MD see quantum entity as a kind of blur, resulting from the slower light wave rate at which quantum light entities can functions. If so even myopia serves a natural human function in perceiving quantum entities.
“…and there was a rainbow around the throne, in appearance like an emerald.” Photograph (D)

The Mediterranean salt water trapped in a whirlpool current producing a time-vortex effect in the sea cave provides a kind of prism effect for the light overhead entering the cave sea water with a rebound reflection visible to the bottom right of the emerald rainbow on the sea cave floor. The effect is a separation of time strains of light with a quantum effect visible in the photography of the human aura, a kirlian effect. A metaphor is cutting the grass in your front yard. The photocamera acts already as a prism breaking into strands the sun light in the photograph below. Each strand has a different wave in time like each row of grass was formed at a different time although they all appear to appear at the same time. Five minutes on average separates my passing the lawn mower over the grass forming each row of cut grass producing the illusion that they were all produced at the same time.
Gnostics and early Christians seem to have communicated this in their writings (Dead Sea scrolls) and Orthodox Christian religions often emphasize the nature of God in a physical human being, whereas Rome, since the allusion of Jesus’ “burial” in Jerusalem under Costantine, has relegated God and the spiritual life after death to a metaphysically distant other “Middle Eastern” world (heaven, purgatory, or hell) and not as a continuity of life on temporal earth. This false division created and promulgated after Constantine conflicts with trade relations between East and West since the times of the Celts settling in Egypt and Viking trade with the Etruscans and Minoans, which Romans would have us forget in order to perpetuate a false Spiritual schism between East and West, North and South.
In the East all nouns are conceived as verbs; each having potential to evolve into another state. Nothing is still, all is movement. For Western cognitive structures this was nearly impossible to understand since our languages are structured so that nouns are unchanging. If I state a woman is a woman then she cannot have the Habitus (Maritain, xxxx) of a man, and vice versa. Thus concepts of godliness are only ascribed to men and the concept of reincarnation (a woman returning as a man) seem ludicrous unless physically, surgically, altered such as in surgical sex changes. Photography, such as the photograph above (D) of the light spectrum, like a prism rainbow of emerelad green, through the Tirrenian underground sea cave is possible when you swim into the underwater emerald rainbow. Prior to that you only see a ray of light, and not the details of the light spectrum. When you enter the sea cave amplified light spectrum it is an ethereal experience, of eternity, that you could stay there for days and not notice days passing, if the light was not present in August only from noon to about 13:30. This immediacy of forever and living all your lives at once relieves your body of all stress, like in an out of body experience. In 1993 I experienced an out of body, near death, sensation after being hit by a car. Without even thinking you perceive that all objects, nouns, and light, are pure movement, pure light energy, you begin to think of everything in positive terms as you see the spectral light waves shift underwater (Chinese language citation & communication as generating new material realities citation). It’s like being the experimenter inside the experiment, you are simultaneously experiencing the phenomena objectively and subjectively. Actual on-site photographic data objectively verifies that which you subjectively felt: you swam into the sea cave’s vortical flow of pure light energy that feels like you are surrounded by a wall of energy as the water current moves around you and the intense light beam is also a wall of energy around you. This vortical flow has its own axis around which it forms its own universe and rotates, forming its own gravitational pull, separate from the rest of the sea, forming a personal and real feeling of timelessness as you let it pull you in. I can describe it as a state of multidimensional existence like you are the waves of light, each a different state of being light, co-existing together (stephen hawking on travel inside a black hole - short history of time citation). The difference between being hit by a car and entering the light rays of the cave are that you do not suffer any injuries in the cave as you let it move you in - yet that first time into it is life changing. I can only describe it as going down an intense water slide as you enter the cave, and instead of crashing with a splash you are splashed by the most incredible rainbow of light waves, which is you, you feel like you are pure light. If you photograph yourself you see you are different, you are light in the photographs that under normal conditions takes two billionths of a second to travel two feet between you and the camera, yet if this vortical current has its own gravitational pull, the light photographed in the camera traps an even older image, or images of you, your past lives, as if you are a universe and the camera, under these conditions, catches the beginnings of your universe of existence.
When visiting Ansedonia’s sea cave at Spacco della Regina it s important to take several days vacation as the seas are not always calm, a waterproof photo cameraresistant for depths of ten meters in case you drop it in the water, swim through between 12:00 and 13:30, use a simple bathing suit, no wet suit, and use an anchored rope and buoy. Use fins, a face mask, and pliable snorkel so you can safely dive deep under and see the schools of local fish and sea urchins.
Photograph (E) 
Swimming in practically naked your skin absorbs the energized waters from sea cave walls that have witnessed at least 40,000 years of human sacrifices dropping in (Metzner, 1994). Like the locals who live among the rocks you have a positive energy transference.
The light energy is at its strongest between 12:00 and 13:30 during the hot summer days. Photograph (F)

Don’t use an inner-tube or canoe. The sea cave is in a residential area. Spacco della Regina is a protected natural barrier. The fish, moray eels, and sea urchins live deep among the rocks, just like the residents of Ansedonia, and are protected. Mainstream tourism is discouraged. If you wish to visit, stay in one of many local campgrounds or Ansedonia’s only hotel, Hotel Vinicio. If you stay at the Vinicio, with excellent services and restaurant, please make reservations. Room and restaurant reservations are made months ahead of time. The Vinicio is very well established internationally among the modest elite. The same family as managed the Vinicio for nearly 50 years. The Vinicio, having the only restaurant, grocery store and bar, unofficially oversees the interests and gossip management of Ansedonia‘s residents. If you need to know if there are any rumours affecting you or your group the woman at the cash register will update you while you pay for your consumption, including fines with the local parking police officer.
The Vinicio is hiking distance from the public beach and coastal rocks. I prefer to swim in from the public beach about 200 metres to the south at Torre della Tagliata just under Ansedonia. Otherwise you can navigate a yacht into the natural bay just 200 meters north of Torre della Tagliata and then swim in. Utilize a diving buoy with a rope and metal pick while swimming. Scuba divers fishing with spear guns, surfers with surfboards, canoeists with oars, jet skiers, luxury yacht boat owners and residents will be aware, if they see your buoy, that you are just harmlessly swimming, studying the rocks.
Buoy secured by a tent rope and stake. Photograph (G).
Travelling with a narrow tent for only one person discourages unwelcomed visitors and replicates the width dimension of a resting place in a Rome catecombe or tomb such as of the Leopards in Tarquinia. Once inside it's like a mummy case, very warm, soothing, and nicely camoflauged behind a tree at night.

The rope will tow the buoy alongside you, and should be long enough for you to dive three or so meters. Use a metal pick or a stake on a rope to secure the buoy to a rock crevice if you must freely swim within a few meters of the buoy. I utilized my camping tent rope and tent stake.

The pick, or stake, anchors the buoy rope between rocks liberating your hands for photographing the sea cave. If there is an eel nesting in the rock crevices the pick will protect you. Do not bring a scuba or any other kind of knife or spear, or the locals will think you are fishing or removing artifacts from the protected coastal rocks without prior permission.
Don’t reach into deep underwater rock crevices with your hands or feet. Moray eels love to nestle in the deep underwater crevices. If morays feel threatened they could snap their teeth.
If you do not disturb the moray eels and sea urchins they do not disturb you. The underwater rock surfaces are covered with spiny sea urchins, thus it is unlikely you will want to touch the underwater rocks, just swim through. Moray eels and sea urchins are accustomed to schools of fish swimming through. You cast a big shadow, energy field, and seem just like another school of fish to them. None of the individual fish would approach the interior of a crevice. Like a fish keep your hands and feet to yourself.
There are absolutely no sharks, thus free deep sea swimming is safe. Swimming through I feel perfectly safe just wearing fins protecting my feet and a simple bathing suit.
Taking these simple precautions ensures a safe swim: waterproof photo camera; buoy; rope; metal pick; swimsuit; mask and flexible snorkel; swim fins; avoid reaching into deep underwater crevices.
I discourage bringing in a flashlight. Introducing synthetic lighting could damage the dark underwater environment below disturbing the schools of fish, moray eels, and sea urchins. The overhead high-noon sun allows enough light to swim safely.
Local beach front home owners have the right to the area for their morning swim and diving. If you offended them or their families/guests you'll know through the Vinicio bar/restaurant.
The majority of the population have worked in film industries, medicine, architecture and are high middle class or very upper class. As a child and teen my family took me to vacation in Ansedonia’s only hotel, the Vinicio. I liken Ansedonia to Beverly Hills. Bothering residents is like bothering moray eels. It's best to start your morning at the Vinicio for a simple breakfast, there is a store there. If they are informed you are going snorkling or scuba diving the word will quickly be spread.
Residents will not allow you onto their properties, much less near their houses. So don't even think of it.
Thus you either hike to the public/private beaches and swim in or have a registered yacht and jump into the water and swim in. Use of kayaks and other small vessels could damage the prehistoric sea cave walls, floor, and ceiling.
The swim is a little over a third of a mile, easy if you are in shape. In European metrics it's only a 300 meter swim from the beach through the sea cave if you enter the eastern entrance across from the house with a 5 meter high rock cliff diving platform. When you exit from the west you'll see to your right a medieval castle towering over you. It's then another 300 meter swim to return.
I prefer to return swimming around the southern portion of the reef peninsula south of the sea cave entrance and exit which run east-west.
If you need to rest from swimming, quietly use the public waters at the foot of the private beach houses on the cliffs during the lunch hour when the residents are resting inside their houses, the sun is strongest and the sea is calm.
Swimming through is perfectly legal. The waters, sea cave and public beach are public access ways.
Avoid dwelling areas, even though the first three meters of rock or shoreline are public access areas. Like the moray eels, residents protect their access areas and enclosures, yet enjoy seeing respectful passers by going through the sea cave from a distance.
Only in emergencies are local residents obligated to assist, yet only hesitatingly if they are capable. I trained as a lifeguard and carefully studied the safest swimming plans and the lack of any lifeguards on the crowded public beaches.
Where there are lifeguards in Italy they rarely get in the water to save you. At best they row in with a pontoon boat for you to latch onto or toss you a rope with a life-saver, preferably mint flavored.
The residents are not lifeguards, and might ignore you.
They prefer for you to be another "sacrifice".
Bring your own rope and buoy because that is your lifesaver.
This sea cave precedes the light/air shafts design of the Great Pyramid’s King’s Chamber in Egypt. Photograph (H)

Obviously prior to constructing pyramids the Egyptians did not have mountains like in Ansedonia with a natural shaft three quarters of the way up to bring in light and air. The sea cave sky shaft and the Pyramid light/air shafts at three quarters from the peak have the capacity to produce an intense light beam in a cavernous vacuum underneath, which is deliciously amplified if there is sea water, like in a camera obscura, reflecting an image. It is likely that for protection along their navigational routes, Viking and Celtic ships traded with the Etruscan port of Ansedonia. The Etruscans most likely introduced white mariners to air shafts as the Etruscans not only used the sea cave under a pyramid shaped natural mountain for their rituals, the Etruscans preceded the Egyptians in constructing burial temples with underground light and air shafts for their kings and queens. Like in Egypt, with the Celtic red haired Pharaoh Hatshepsut whites with blonde and fair hair are depicted as part of the ruling class in Etruscan monarchical underground chambers for refuge during Roman tribal seiges such as the chamber of the leopards. Etruscan and perhaps Roman as well as Judaic nobility would have been enviously slandered as "lepers" by the physically violent and abusive commoner Roman and post Minoan Greek ethos. We can only conclude that the sea trade of knowledge circumventing early Roman plebian tribes utilized the natural naval ports at Ansedonia and Tarquinia to carry out an exchange of architectural and engineering designs as well as foods, beverages, slaves and material. The Queen’s Temple of the Artemis, Ara della Regina, constructed by the Etruscans in near-by Tarquinia, across from the Valley of the Dead King and Queen burial chambers, resembles the nearly millennia earlier construction of the Temple for the Egyptian female Pharaoh Hatshepsut. Instead of a commemorative obelisk, Ara della Regina had a column with a statue of Artemis on top in the courtyard and a ceremonial wine/blood disk shaped sacrificial fountain, the white marble chalice, below.
The white marble fountain for sacrificial blood to run like wine through the streets is evident in the foreground of photograph I made at Ara della Regina Artemis Temple on my birthday, August 16th of 2013 (I).

Obviously Hatshepsut’s and the Artemis’ designs were architectural models for the later construction of the Parthenon in Athens, Greece. Like the Etruscans, the Egyptian pharaohs were buried with their chariots, family members, and boats into the after-life. Ara della Regina precedes construction of the Parthenon by about one hundred years.
Both women and men perform shepherding tasks and are reliable for directions to specific archeological sites of interest. Local museum attendants, and bar tenders, provide for excellent archeological and anthropological resources about factual information regarding women and homosexuality andartifacts censored from the published material.
The veneration of female Etruscan Queens and Godesses was later buried by Romans and Christian patriarchal doctrines.
You realize your presence, your gravitational pull, has changed the paths of the intense light rays through the sea cave which is essentially a vacuum: you have become a black hole of “space-time” force distorting the energy path and entrapping pure light (Hawking citing Oppenheimer, p. 94). You realize you are time, you are the past and the future, there is “no absolute time… [e]ach observer has his own measure of time” (96).
Ian Stevenson provided physically verifiable evidence that the dead are us on earth, and not in some otherworld of disembodied existence with a remote entity called “God“.
To strengthen Ian Stevenson’s initial findings we have to immerse our continued ethno-photographic studies into the world of the Mediterranean whence these doctrines from Rome emerged to challenge the physicality of the afterlife on earth.
"The implications of this critical movement are very radical; the concept of nature gives place to a multiplicity of socionatural worlds or natures-cultures. The focus of theoretical reflection goes from the conditions of thinking and the construction of truth to the comprehension of life forms and conditions for their existence. This choice for the ontologicaldimension, to the detriment of epistemological ones, has been called the ontological turn in socialsciences. Life itself is understood as inseparable from the ways through which beings—living and nonliving—establish relationships among themselves. In summary, ontologies are seen as being fundamentally relational" as our gaining knowledge transmission from the past must be (Taddei & Gamboggi, 2015, p. 10).
We also have to study the opposition in the Mediterranean, particularly in Italy, to Rome’s quest to deny women’s right to property and self-determination over their own bodies by denying the female fresco of Giulia Minor with her flock as “Yehua” or “Jesus” survived in the early Christian catacombs of the historical Jesus, the escape of Mary Magdalene to the south of France, reincarnation, and the rights of homosexuals to same sex unions. If there is reincarnation, we cannot base intimate unions on Roman Catholic ascribed sexual identity.
Ansedonia
Arian
Giulia Minor
The Roman era Queen escaping Islamic style persecutions in Spacco della Regina
The ambiguous quantum wave-particle nature of light (Peruzzo, 2013) in a prehistoric camera obscura facilitates a Kirlian effect documenting energy and gaseous water vapor fields altering with the human subject’s mental state in a waterboarding near-death experiment in Ansedonia, Italy (Haraldsson, 2006, Nahm, 2011 Peruzzo, 2012, and Tiller, 1990). A Kirlian emerald green light wave spectrum resulting from a natural skylight opening in a sea cave that acts as a prehistoric camera obscura in Ansedonia, Italy provides a buoyant throne from which we can photograph human aura and vapor documenting the change in mental states by the change in the Kirlian image (Tiller, 1990). Early cave art and the basis of sacred artists like Michelangelo and the ceiling painting of the Last Judgment iconicizing sacred persons, trees and animals which are perpetuated today through cultural museums and religious cults (Stein, 2002) which are perpetuated today through cultural museums and religious cults obviously could be a result of seeing the Kirlian effect of a living entity’s energy patterns on a cave wall through a natural prehistoric camera obscura (Hockney, 2006). Immersing ourselves has changed our ontological perspective removing the socio-cultural framework of our cultivation to knowledge to our natural abilities of receiving transmitted knowledge naturally in the ancient prehistoric environment. Taking on the perspective, through a time dialation immersion, of past cultures that occupied the Italian peninsula prior to the foundation of Rome, has helped us ponder "... what kinds of worlds are made possible by such points of view" (Taddei & Gamboggi, 2015, p. 7). Once we can think and learn to interpret what we see as the ancients, we must ask ourselves if the materialist view that the mind is a product of the brain is correct; for we have either travelled into the past or tapped into a mind from the past before we materially existed in this lifetime (Moreira-Almeida & Freitas-Araujo, 2015).
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Etruscan citations
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* Loosing my Religion by R.E.M. is the reincarnation of Adolf Hitler's favourite song who kept a postcard photograph of James Byron Dean/Horst Wessel reincarnated on the right side of her home computer (p.c.) monitor from 1992-1997). Hitler avoided capture to await the reincarnation evidence based on the Temple of Akhen-Aten findings, while the F.B.I., after the sequestration of the Nazi files on reincarnation through O.S.S./C.I.A., tracked Hitler in Argentina, and after recruiting James Dean as a Horst Wessel stand-in realized from studies now at University of Virginia that Dean and Wessel are the same, thus the staged hit-n-run crunch to signal that Harald Quandt, sodomized under occupation forces in Europe, would operate as the 'driver'/BMW for the Al-lies over Europe - the student contractor driving the vehicle used repeatedly to bash-in Dean had the same stature as Quandt - who Goebbels had used to replace Wessel after having him shot in the face so he wouldn't be 'prettier' than Goebbels for Hitler .
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